My Artist Statements

Nela V. Steric, Visual Artist/Creativity Coach


My Beautiful Bones Diary Series


The "Beautiful Bones Diary" Series are nostalgic set of

memories of victims, whether victims of

a single crime, or soldiers who died defending the country.




My Portrait Fragments Series


In Portrait Fragments Series, the portrait as a subject matter

   is departing beyond a person’s visible features.

While working on it, I am growing in my awareness of each person’s psychological, emotional or spiritual attributes.

It also requires my own difficult and fully emotional

introspection about my own feelings towards

the person I portray. With the colors and the texture, the amount of realistic face features represent my sense of each person’s secret fears and

good and bad personality traits.




My "H-Oceanscapes", "H-Skyscapes" and

"H-Woods" Series


    My "H-Oceanscapes", "H-Skyscapes" and "H-Woods" Series of works

    are spiritual portraits of persons very important to me. "H" stands for "Human".

Instead of physical and geographical locations, I portray certain
person's character traits and how those "feels" to me, using elements of nature.

It is mixed  with my own feelings, ideas, or mental images 

about the particular person. I become 

inspired by one's stories, ideas or a complete spirit. I transition

the feelings it triggers in me into imaginary

    Oceanscapes, Skyscapes or Imaginary Woods. The names of art pieces

do not reflect this thinking process, but rather relate

to elements of nature; therefore the viewer can be free to see them as fragments of nature, and maybe relate it

to something else. The works are created in series, as versions of the same ideas,

following my emotional states. The elusive and unpredictable media of watercolors

and inks on Yupo effectively follows my ideas and my visions of one’s always changing, living spirit.




My Boneyard Series


Of Bones and Redemption
 
Bones: a symbol of death. The final outcome; the final peace. Even so, genocides that have occurred in history can bring mass graves

and bodies covered up badly on the ground, left to rot in the chaos. However, they are now at peace; now without any defined features, ethnicities, culture, religion, or nationality. Whatever they stood for and whoever they were while living is different now.

Their victimhood is now soundless, part of the ground, but not without a voice. Their broken skulls are now sculptures,

telling their story in a different, elevated way. They are now whispering their truth even stronger, and the terrible facts about their executioners.

Their motionless horror can bring aesthetics, emotion, and absurdity all in one view.
 
Redemption: the acceptance that we are all victims and we are all executioners. We can fall victims as easily

as we can commit atrocities; all in the name of falling into a toxic collective mindset. It is simply human nature to feed into

collective ideas and always repeat history. However, what bothers me is that often in wars, some perpetrators

walk free and sometimes an entire nation protects the ideas and individuals that murdered many.

No individual or a nation should be the "high judge" and turn a blind eye to their genocidal roots.
 
In this collection of self-search, I am combining the aesthetics, emotion, and absurdity of genocidal wars through

these views of mass graves. Using visual elements and colors rather than specific religious or other symbols, flags, or languages,

I want to achieve aesthetic beauty and greater meaning. With my compositional elements, space, forms and colors in brush action, I want to produce emotion. Through the emotions that are presented, I am recognizing and visually presenting my own shortcomings,

my own, as-I-call-them - "genocidal roots" as I accept, rather than deny, the mass graves perpetrated

by my former nation not so long ago. The absurdity of mass murders is in the paintings themselves.

I bring out the most absurd elements through my artistic interpretations of real and documented mass grave sites.

I recognize and celebrate absurdity in my attempt to match visual elements that tell a small part of those ageless horrific stories.